Archive for the ‘Newspapers’ Category

Your News Now

Tuesday, March 11th, 2014

In the great 1990s sci-fi series Babylon 5, set in the late 2250s, print newspapers still exist 200+ years in the future, but with a (to us) familiar twist. In one particular episode, the captain of the titular space station walks up to a kiosk and requests specific newspaper sections and topics. When he’s done, the kiosk spits out an instantly—presumably digitally—printed, customized newspaper.

A bit of science-fiction futuriana, to be sure, but that’s not far removed from the idea of digitally printed on-demand newspapers that the industry has been talking about since at least the 1990s. Or, in other words, using technology to deliver us the news we want, not what some editor thinks we want. (Yes, this is also the idea of the Google News Alert.)

I bring this up because I happened across an interesting experiment conducted by a social media aggregation site called NewsWhip which thought it would be interesting to see what major newspapers’ front pages would look like if they included the top stories from those publications that were trending on social media. That is, what stories were readers sharing vs. what was on the front page of the print edition?

What if front pages were selected by newspapers’ readers instead of their editors?  At NewsWhip, we’re always interested in the news stories people are choosing to share – and how those stories differ from the normal news stories editors put on the front pages of big newspapers. So we ran a little experiment.

A little work at our end, and we used those most shared stories to make new “people powered” front pages for each newspaper – giving the most shared story the most prominence, the second most shared the second most prominence, etc.

We replaced headlines and pictures, though did not get into replacing story text and bylines. The results are pretty neat – maybe even thought provoking.

Actually, the “people power” papers are not as frivolous as one would be inclined to think, and actually aren’t a million miles removed from what the papers chose for their actual front-page stories. The only real differences were less foreign policy (i.e., few Ukraine stories) and more diet and health, especially in the British papers.

Now, mind you, focusing on the stories that are most shared via social media doesn’t necessarily give the best sense of what is being read, or even what readers find personally important. For example, there is a lot of food being shared on social media, but seldom is it one’s everyday humdrum breakfasts and dinners, but is instead some remarkable feast out at a restaurant or slaved over at home for a special occasion. So focusing on the meals one shares on social media doesn’t necessarily give the best sense of what people typically eat on a daily basis. Otherwise, get thee to a gym!

Back to the news, though. Speaking for myself, what I read for my own edification of what is going on the world is very different from what I would tend to share on Twitter or Facebook—I tend to pass along more whimsical, humorous, absurd technology kinds of things, rather than the more prosaic news stories one needs to function in a democratic society. I dare say most people are pretty much the same.

Back in 1993, I took several courses at NYU on the emerging “multimedia technology” (remember the “interactive CD-ROM” and how it was gong to be a billion-dollar industry? Ha!) just as the Internet was ramping up in earnest, and friends of mine and I would sit around—as college students are wont to do—anticipating and solving all the problems of the world. One of us had remarked that there was a real danger in a media landscape in which we could all pick and choose our own news, having it served up to us exactly as we like it, as if it were a restaurant serving us the food we now post on Facebook. The last 20 years, and the fact that a disturbing number of people seem to get their news solely from e-mails forwarded from their crazy uncle, suggests that perhaps the danger was not entirely overstated.

There is also a danger in relying too much on having the “crowd” decide the editorial content of newspapers, magazines, or other news sources. What people want to know and what they need to know can often be two different things.

Perhaps it’s the journalistic equivalent of being made to eat our vegetables, but I’m perfectly happy to have the “media elite”—editors and publishers—decide what’s important, or what they think is important. Could they do a better job sometimes? Of course. But there is still a great value in having an objective “curator” of the news—and I say this having been a printing industry writer for 20 years and worked very closely with—and even been—those curators.

Personalization technology—be it newspapers or anything else—has given us the unprecedented ability to only seek out and receive the content we want whenever we want it. However, we need to be certain that it’s what we really want.

Crystal Ball, Anyone??

Thursday, June 6th, 2013

“It is not the strongest or most intelligent species that survive, but the ones who are most willing to adapt.”  ~Charles Darwin

I like this quote because it removes the idea that survival and success are based on natural selection, but are based on intelligence and strategy and looking at how to adapt for future circumstances – an idea that seems especially relevant for the print industry today. At one time in history, we could have said that “print changed the world” and most would agree. But recent technological innovations, shifts towards digital communications and away from paper communications, have many printers working to keep up with the rapidly transforming industry. I suspect this is where Darwin’s idea of adaptation comes into play. Printers need to anticipate the future and prepare themselves accordingly. The same way of doing business will not stand, but you don’t need me to tell you this.

Lucky for printers, they don’t have to anticipate the future on their own. A group of young, bright, and well-educated students from RIT have already done the heavy lifting. Together they researched, wrote, and published a book entitled “Print changed the world – now the world is changing print.” They imagine the print industry landscape all the way to 2022 and address a number of sectors including books, packaging, signage, technical documents, direct mail, and more.

Here are the cliff notes…

Good News for:

  • Mobile devices which enable digital distribution
  • Packaging
  • Industrial printing
  • Signage

Bad News for:

  • The Postal Service
  • Circulars and inserts
  • Periodicals

Aside from the above, there are a number of categories in which the future is mixed – certain aspects will decline while some will rise. For example, authors suspect that self-publishing and yearbook printing will be the primary mode of book printing while traditional novels and textbooks will decline. The Security sector is another mixed bag.

If you read my last blog post, you’ll see that some predictions and research contradict what is in this report. I suppose no one owns a crystal ball so predicting the future is never easy. But nonetheless, it’s best to be informed and anticipate how expected trends will impact your business. So check out the full booklet here! (Made available by Printing Impressions)

The Brewing Battle Over Paid Content Models

Monday, February 21st, 2011

There’s been a bit of resurgence in interest regarding the rapidly changing dynamics in the publishing business as of late. While the talk of paywalls in front of currently-free content on news sites has been discussed (and sometimes implemented), paid content just got a whole lot more interesting.

Last week, Apple announced its long-awaited content subscription model that can be deployed in apps sold on its App Store. Previously, if publishers wanted to post a new issue of a magazine, they would have to do a traditional “newsstand” model where a new app was posted to the App Store each month. Now, new issues can be purchased inside a central app through subscriptions… for a price. The controversy that comes along with Apple’s announcement is that they plan to take 30% of each subscription if it is sold through Apple’s system (it will not require a piece of the action if the subscription was generated outside of Apple’s system, such as on publisher’s or content provider’s direct Website). Apple will also require publishers to use uniform subscription pricing, meaning that if a subscription costs $9.99/month direct, it needs to be priced at $9.99/month through Apple, despite the 30% charge. This model affects not only newspaper and magazine publishers, but other paid subscription providers like Netflix, Hulu, Rhapsody, and even Amazon.com.

The day after Apple’s announcement, Google announced the launch of One Pass, its own subscription model for selling content on smartphones and tablets. With One Pass, Google aims to create a “pay once, view anywhere” model, where a user has access to all subscriptions via one account that can be viewed in a browser or in a mobile application. Payments will be administered through the Google Checkout online wallet service. In contrast to Apple’s 30% rake, Google plans to retain around 10% of each subscription depending on the publisher, although further information on how the share is determined is not currently available. Instead of just a straight subscription option, Google plans to offer more flexibility in its payment models, including micropayment services like pay-per-article, metered access, and more. While Apple’s model is exclusive to Apple product users, it remains to be seen how this model will be adopted outside of Google Android phones (after all, access via Web browser has no App Store approval barriers to break through).

There has been a healthy dose of criticism regarding the Apple model and a great deal of praise for Google’s model in response, although the reality is not that simple. In the view of many, it may be a brazen attempt by Apple to demand 30% of each subscription; many have in fact called it anti-competitive and have pointed to Apple’s stronghold in the music industry with iTunes as a potential result of what could happen. With Apple as an intermediary, publishers may fear losing a direct relationship with readers and further commoditization of the content they provide (publishers would receive high-level personal details of Apple-driven subscribers only if they opt-in to share that information).

Nevertheless, look at what Apple provides: access to millions of users that have already proven they have no problem dropping anywhere from a few dollars to hundreds of dollars on mobile apps. Ever since iTunes, the key for Apple has been to make these models as easy and seamless to participate in as possible, to which it still holds an advantage. In the end, especially for publishers, a 30% share to Apple might still be cheaper than the existing cost of new subscriber acquisition and even renewal. By offering premium content to existing subscribers on the iPhone or iPad, it may give readers one more crucial reason to renew. There is no doubt that Apple’s iAd platform fits within these subscriptions in some way, which have yielded impressive results for the advertisers that have participated thus far.

So what about Google? While One Pass can be tied to either the Web or a mobile application, there is obviously a strong play with enabling subscriptions for Android-based mobile devices. According to most recent estimates, Android phones have well-outpaced other mobile operating systems in market share due to Google’s strategy of making the OS available on a very wide variety of phones. While this strategy has led to a massive base for Google, it has also led to inconsistent experiences for users depending on the device used, as well as headaches for developers to try and account for the sheer variety of handsets supported. Could the experience be the Achilles’ heel for Google’s One Pass? Furthermore, newspaper publishers in particular have been hostile toward Google in general due to its news aggregation services. While Google brings thousands or even millions of eyeballs to their pages (and subsequently, ad revenue), many feel that aggregation has prevented paid content models from being employed for fear of losing those eyeballs. Perhaps this move coupled with Apple’s announcement will be cause for publishers to truly evaluate what models and partners are in their best interests to utilize.

Of course, these announcements within the past week are just the first steps in what will likely be the shift to legitimate paid content models for publishers and other content providers. While companies like Netflix have a good hold on how their models are effective (they started online with a paid model), it has been a bumpy road for magazine and newspaper publishers to figure out how to provide enough digital value for users to fork over money for something that was originally put online for free. Will a streamlined experience, instant updates, interactive features, and ubiquitous access to subscribed content finally solve this problem? Furthermore, if it does, how much are publishers willing to share for that access? These answers to these questions could lead to success for Apple or Google, but also hopefully to those publishers that have been struggling to find digital success.

Update: I noted earlier that Google’s subscription share would only consist of a 2% transaction fee associated with Google Checkout purchases. After further investigation, this information has been found to be incorrect. The post has been updated to reflect that Google has been quoted as saying that its subscription share will be around 10% depending on the publisher, but it did not elaborate on those plans. Additional details are not yet available.

An Economic View from a Different Perspective

Monday, December 6th, 2010

For this post, I’m offering my own unscientific perspectives based on a unique window I get to peek into through – my experience actively consulting with or for organizations of all sizes and in all sectors of the industry. This includes everyone from pulp and paper mills to paper merchants to printers to print brokers and finally, print buyers.

My travels take me from coast to coast and north to south here in North America working with over 100 clients in 200 locations per year. From ten-employee in-plants to billion dollar corporations, there are common themes that seem from my perspective to permeate every facet of the paper and print-space.

Necessity may be the Mother of invention, but it’s also the Mother of reduction, the Mother of consolidation and ultimately, the Mother of efficiency. The past few years of recessionary behavior has proven to be a Petri dish of sorts that prove this hypothesis.

Common to every nearly enterprise is the realization that certain functions have had to be reduced or eliminated in order to survive. On the M&A level this means economy of scale and centralization of management, marketing, accounting and human resource functions. Within the same organization, lower level elimination of redundant or non-value added positions has become the norm. I’ve walked in the door of many a facility where “ring the bell/buzzer/phone” for front desk service is now in force where before, the duty of the receptionist was just that; to receive.

If there is a front desk person it is frequently a CSR or AR/AP employee whose new workspace happens to be visibly at the front door of the establishment. The same goes with many other positions where value is perceived as being intangible and can therefore be eliminated and delegated internally to the wearers of many hats who are any enterprise’s new survivor class.

The other trend I’ve seen is that along with staff reduction coinciding with the amount of work coming through the door, where say a full 3 shift operation has been forced down to 2, a new and interesting problem has arisen. When the workload is steady, which is a lowered expectation these days, the available labor pool is being tailored to be able to handle the volume, however now there seems to be more of an optimistic trend among print buyers and advertisers.

It’s what I call the “loosening of the purse-strings syndrome.” As the economy and consumer confidence levels elevate slightly, print buyers are a bit more confident and optimistic. Over the past six to twelve months, my clients, generically now have the problem of not having labor available for those spikes in volume when they occur. In a way this is a good problem to have, since they now feel like they have weathered the economic storm and are now emerging as a more efficient enterprise through all their tribulations.

In some markets an interesting phenomenon is taking place. Where similar facilities with similar capabilities and equipment have either survived or failed, there is a glut of skilled labor. In some cases these spikes are handled by employees working for more than one company-  not that this hasn’t always happened to some degree. It just seems that now there are a lot more skilled operators willing and/or able to be engaged on-call. The problem here is that this is usually more of a mature labor pool, so with regard to longevity, an arrangement such as this is not self-sustaining. No one seems to want to be so optimistic as to ramp back up to former levels, so this conundrum will continue for the foreseeable future.

I don’t pretend to be an economist. I’ll leave that job to Dr. Joe. That said, I do ask the same basic questions wherever I go. How’s business? Have you had layoffs or reductions in the past year and if so, by how much? Have things stabilized? Are you bringing staff back on? Are your customers a bit more optimistic? Are you?

Of course the answers vary, but on average they are: tolerable; yes; yes; yes; yes; yes. It is encouraging if anything, that there is a pervasive optimism out there. In my book optimism equals confidence. Confidence equals risk-taking, albeit cautiously, risk-taking equals spending. Spending of course raises the economic tide overall, and a rising tide lifts all boats.

So ultimately in the printing industry, especially in the areas of growth such as digital printing and integrated media, I’d like to believe that because of all this spending on infrastructure, equipment and new labor, i.e. emerging skill sets, are about to take a quantum leap based on the demand for printing in our brave new world. A renaissance if you will.

To move forward and be the cause of change, mills, merchants, printers and brokers must again refocus their marketing efforts on a now more optimistic print-buying public, who will have a bit more money to spend as long as they are convinced of the ROI once they have been educated, again, by their vendors of the benefits of print.

So, in the end, you can talk about GDP, unemployment, print shipments and the calculated risks of either doing or not doing something to change the game all day long. All I’m saying to sum this all up is that anecdotally, we seem to collectively be climbing out of a casualty-ridden hole, a bit wiser, a bit stronger, but non-the-less gun-shy. In many cases the casualties have been necessary. It got rid of some of the low-ballers to hopefully create a more level playing field where the survivors can compete fairly on a level playing field, charge a fair price and continue to continue on now that the ball is rolling again.

What do you think?

Vic Barkin

Magazine Publishers of America: Minus the Publishing?

Saturday, October 2nd, 2010

Yesterday, the Magazine Publishers of America (MPA)  unveiled a new name, tagline and logo for their trade group: MPA – The Association of Magazine Media. By keeping the well-established initials, MPA, as the organization’s formal name and dropping “publishers” from its tagline, MPA is underscoring the fact that magazine media content engages consumers across multiple platforms, including websites, tablets, smartphones, books, live events and more. One could say that they are embracing new media – or one could say that they are distancing themselves from print.

“Magazine media companies are rapidly embracing cross-platform business models that incorporate print, digital and other ways of providing content to consumers,” said Jack Griffin, incoming Chair of MPA, and CEO of Time Inc. “MPA’s new identity expresses our strong belief that, together, all of these forms collectively express what it means to be a magazine media company.”

Added Nina Link, MPA President and CEO, “The essence of what consumers love about magazines – the immersive experience, the curated content, the sense of community and the award-winning photography and design – is now being enhanced by technologies and devices that support high definition imagery, video animation, mobile e-reading and Web access. The future of magazine reading is undergoing a transformation; audiences and advertisers now interact with magazine brands on so many different levels and platforms. MPA’s identity simply had to reflect this fact.”  

MPA will officially launch its new name and logo to its membership at the annual American Magazine Conference (AMC) on Monday, October 4, in Chicago – the same week as GraphExpo descends on Chicago.

MPA will also premiere a new series of videos at AMC called “Magazine Media Minutes.” Produced by the editors of various magazine titles, these mini-documentaries spotlight how innovative magazine titles are creating content and brand experiences across a variety of media platforms.  Participating magazines include Food & Wine, Glamour, GQ, Men’s Health, More, Natural Home, People, Popular Mechanics, Real Simple, Runner’s World and Yoga Journal. The videos are available on a special MPA YouTube channel at www.magazine.org/mmm. Most of these videos talk about how new media is better than print – can you find me one that doesn’t?

“In defining our business as magazine media we are explicitly focusing MPA’s leadership agenda on promoting magazine brands and their unique relationships with consumers across all platforms,” said John Q. Griffin, outgoing MPA Chair and President of National Geographic Publishing Group.

All platforms, including print? Hmmmm. Maybe we should take a bunch of GraphExpo folks on a  field trip over to the AMC next week . . .

“Personalized Newspaper” Launched in Berlin

Tuesday, December 8th, 2009

The Editors Weblog has a detailed blog post on the Niiu personalized newspaper that has launched in Berlin, Germany.

Editors Weblog outlines the production steps:

On the client’s side the process is very simple. After signing up for a short-term subscription (more on that later), they have until 2 p.m. to choose their news sources for the following morning’s paper. On Niiu’s website they can select from a wide variety of publications and online sources; from national, local or international newspapers like the New York Times, or internet news sources and blogs. A 24-page personalized paper, researched from and composed of their choices, then appears on the subscriber’s doorstep the next morning.

The business is based on strategic partnerships with content creators and print service providers to handle everything from content creation to the Web portal to printing and distribution.

According to one of the founders, a printed version made the most sense, “We asked this target group which is the most comfortable and which is the best distribution channel; is it an e-paper, is it only on mobile, is it printed or online? The feedback was that for now, paper is still the best distribution channel.” However they pointed out that future offerings could be delivered to mobile phones or e-paper devices.

Niiu’s website is located at http://www.niiu.de/ (German only).

Niiu’s publishing model sounds very similar to what the Knight News Challenge funded project Printcasting is building: an easy to use interface that “allow individuals to easily create ad-supported, customized publications with a mix of local news and information”

Leveraging a Legacy: Océ’s Inkjet Evolution, Part 3

Thursday, August 27th, 2009

In the second part of this interview we heard more details about Océ’s new JetStream 1000 inkjet press, how it fits into the market, and about print quality on inkjet systems. In today’s installment, Mal Baboyian talks about how Océ, with its legacy of toner-based printing is making the transition and commitment to inkjet.

NW: Mal, most people probably don’t think of Océ as having a history in inkjet printing, yet you’ve introduced several models of the JetStream family in a bit over a year and a half. But you haven’t done this on your own. Tell me about the alliance with Miyakoshi that has led to the JetStream line.

MB: Let me answer that in a couple of steps. First, Océ actually has developed a lot of inkjet technology and provided innovation and industry leadership in a number of markets. Our first inkjet products came to market almost 15 years ago. The wide format side of the company has been very successful and has the leading market share in some segments of wide and superwide format printing. Some machines, like the Arizona line of flatbed printers that can also print roll-to-roll, have won awards for innovation and quality. Last year at drupa I’m sure you saw our CrystalPoint solid toner technology which can be jetted onto a wide variety of substrates. At GraphExpo 2008, the Océ Colorwave 600 with Océ CrystalPoint technology won a Must See ‘Em award and this product has been recognized once again for PRINT 09 with a Must See ‘Em Encore award. Océ R&D developed and we manufacture these products. Of course, these wide format machines address a different market and at lower speeds than a production press, but the underlying knowledge of inkjet technology, chemistry, color, and material science has been very instrumental as we developed the JetStream family.

Second, our relationship with Miyakoshi is very much a strategic alliance that draws on the strength of both companies. Miyakoshi is a well-known offset press manufacturer that was developing an inkjet technology. We’ve brought our expertise in inkjet, color management, controllers, security, and error recovery systems for high-speed, high-volume digital printing. The win-win is that JetStream is built like a press for heavy duty use, our SRA MP [Massively Parallel] front-end can handle every aspect of the data in full color, and can be easily integrated into any PRISMA-based system as just another print engine.
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The Printed Blog is Ceasing Publication

Wednesday, July 8th, 2009

The Printed Blog a start-up that aggregated content from blogs to create newspapers has announced that it will cease publication. The Printed Blog Joshua Karp founder in a blog post cited lack of funding.

The Printed Blog published a printed version of internet-based content twice a day. Content was selected based on the votes of readers and their geographic location. In its short existence, the service produced 16 issues, distributed 80,000 print copies, and 100,000 copies downloaded.

Printcasting Expands with MediaNews Partnership

Thursday, June 25th, 2009

Printcasting, the Knight News Challenge project that aims to “allow individuals to easily create ad-supported, customized publications with a mix of local news and information” has announced a partnership with MediaNews Group. The partnership expands the reach of the publishing platform.

The Press Release from Printcasting:
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Injecting new life into newspapers

Tuesday, June 2nd, 2009

Many pundits and experts would have us believe that the demise of the newspaper as we know it is at hand and that newspapers are a weakening market segment for printing in the U.S. There’s no denying that the shuttering of papers like the Rocky Mountain News, Seattle Post-Intelligencer and the daily edition of the Christian Science Monitor posit a profound change in the newspaper industry. But it does not necessarily follow that all newspapers are an endangered species. What it does mean, though, is that the traditional model of newspaper publishing is changing –many would say broken– and that newspaper publishers must create new models for their industry. And digital printing can help.
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Digital Print: The Next Frontier for Newspapers?

Wednesday, April 15th, 2009

There’s been a lot of discussion on The Digital Nirvana about the ways digital printing is currently being used for newspaper production, as well as some future applications. While there’s no doubt that the ways of which people consume news and information is changing, it’s also clear that some new business model concepts for newspapers are still utilizing print as a main distribution method. Two hybrid models that come to mind include the previously-mentioned Printcasting, as well as a start-up called The Printed Blog. Each relies on reader-generated content, news aggregation, localized/targeted advertising, and (of course) print.

InfoTrends recently conducted an extensive study to understand present and future digital print applications within the newspaper industry. The result of our research can be summed up in The Emerging Digital Printing Opportunity in Newspaper Publishing, which details:

  • - An overview of the newspaper industry
  • - Current newspaper production workflow
  • - The case for moving to digital newspaper production
  • - Existing and future applications of digital newspaper production
  • - Adoption challenges (hardware, software, and recycling considerations)
  • - Recommendations for greater digital print adoption with newspaper

As existing newspaper publishers think about new ways to bring back print advertising dollars, they need to look not only at online models, but also how they can differentiate their print offerings. Digital printing can be utilized not only as a means for short-run production, but also for personalized content and targeted advertising. One of the things that we found when talking with some newspaper publishers is that there’s a lack of awareness about the possibilities that digital printing can offer to newspaper production. Market education is key. Reports like this one, as well as digital printing hardware vendors providing clear proof-of-concept applications and case studies of digital newspaper production successes can give a glimpse to newspaper publishers about new opportunities they can take advantage of.

So what are your thoughts on digital printing for newspaper production? Let us know.

Is the ‘printernet’ a useful idea?

Wednesday, March 25th, 2009

For the last couple of weeks, I’ve been playing with the notion that a good way to think about the global print industry is using the word “printernet” to capture what might be going on.

Yesterday, I got a chance to test it out in a more public venue in a column at PBS.org/mediashift. The title, chosen by the editor, is ‘Printernet’ Vision Brings Custom Print Publications to Masses”

The general tenor over there is that Print is Dead, newspapers have to go online, and other internet bedazzled visions of the future of journalism. I’m posting here in the hope of getting some feedback from my esteemed colleagues in Print, where I don’t have to take a defensive stance proving that the sky is not falling and print is not dead.

From a PR point of view the notion is “Now that the internet is in place, the printernet is ready to emerge.’ That’s for the kids in school to get them to be excited about Print.

From the professional point of view,”. . . this so-called “printernet” can have the same benefits as the Internet — massive parallel manufacturing with standards-based interfaces, real time production information and easy access for everyone. Each printer — the combination of the machinery and the intelligence that manages the machinery — is a print output node.”

My hypothesis is that one of the things that has kept us from seeing the emerging role for Print, is that we’ve been using old thought models that don’t capture a new environment. The facts on the ground are that the Eurocentric era of the global economy is coming to close and that new value in the form of previously impossible customer experiences are enabled by the network, not by stand alone printing companies.

While I was researching the column I came across pediapress.com in Germany. They’ve released Open Source software to automatically go from wikipedia pages to PDF,ODF, and XML. They are monetizing their invention by selling Wikipedia Printed books through their website. Just recently they’ve expanded from German to the other major European languages.

I think wikis have become the platform of choice for organizing content on the web. PBwiki.com, a start-up, says they are doing enterprise content management for over 200,000 businesses and 100′s of thousands of schools. Meanwhile, Newspapers and physical communities are organizing their content in wikis.

Given that my focus is high school education in the States, I think I’m seeing textbooks being replaced by WikiBooks and WikiNewspapers. The new experience will be cheaper, faster and much more effective in getting students to learn to love to learn.

I keep turning it over and over, and I can’t see why it wouldn’t work.

Any thoughts?

Printcasting Goes Live

Tuesday, March 17th, 2009

Printcasting, the Knight News Challenge project that aims to “allow individuals to easily create ad-supported, customized publications with a mix of local news and information” has launched in beta at the in Bakersfield, California:

This week we publicly launched Printcasting in Bakersfield, California. While our focus is on outreach to the 330,000 people who live there, anyone can now use the site to create an automatically updating, printable PDF magazine.

More infomation about Printcasting at http://www.printcasting.com/

The Newspaper Project

Tuesday, February 3rd, 2009

A group of newspaper executives have launched a new Web site to promote the exchange of information and ideas about the future of newspapers. The Newspaper Project will be devoted to “insightful articles, commentary and research that provide a more balanced perspective on what newspaper companies can do to survive and thrive in the years ahead.”

More information about the project at http://news.newspaperproject.org

Many newspapers are plagued with old and inefficient printing operations. Some are outsourcing their print, and others are turning to electronic media. There is an opportunity for Printers to benefit from these problems by providing modern printing and distribution strategies–from automated offset to print on-demand digital.

AlphaGraphics to Print Newspapers Digitally

Monday, November 3rd, 2008

Digital newspaper printing continues to make ground with a new partnership between Newsworld Corp. and AlphaGraphics to print copies of the U.K.’s Daily Mail and Mail On Sunday for the US market. From the press release:

David Renouf of Newsworld says: “On the back of our contract with Associated Newspapers and with the increasing levels of interest we continue to receive from publishers, we are delighted to be partnering with AlphaGraphics, a best-in-class organisation offering second- to-none levels of quality and service. Similarly, we have taken the necessary steps to invest in the appropriate technology to ensure the requirements of our existing and future clients can be met.”

David Kovacs of AlphaGraphics added: “Newsworld and AlphaGraphics could not be a better match for this partnership. We are both focused on leading the market by servicing client’s needs with technology and customer focused solutions. I am sure others will be watching with anticipation to see where we are able to take this venture. Marrying Newsworld’s vision and experience with our operational excellence was too good an opportunity to pass up.”

As Renouf noted in his comment, Newsworld signed a four-year contract earlier this year with Associated Newspapers Ltd. to print copies of the Daily Mail and Mail on Sunday in New York.